Primarily built in one style the temples have the ardhamandapa or the entrance, the mandapa or the assembly hall, the antarala or the vestibule and finally a pradakshina or a circumambulation running around the grabha griha or the inner sanctum. The temples are divided in three major zones, the western, the eastern and the southern temples of which the western temples are the most popular ones.
The arch of Kandariya Mahadev shrine has meticulously carved various themes of life. Celestial beings, lovers serenading musicians all the movements captured in stone, frozen in time, yet retaining a quality of warm, pulsating life. The very stone seems to have taken on the living, breathing quality of the carved figures. outer walls have three horizontal panels showing deities of the Hindu pantheon, and groups of lovers, a pageant of sensuousness, vibrantly alive. The Chousat Yogini temple dedicated to kali is also present but without the deity in the sanctum. The Matangeshwara temple is the only shrine used for worshipping. The temple is almost devoid of ornamentation. The Varaha Temple stands opposite the Matangeshwara temple and is dedicated to the fourth incarnation of Lord Vishnu in form of a Boar. The monolithic figure is exquisitely carved with 764 divine figures around it. The Lakshmana Temple, dedicated to the four armed and three headed man-lion-boar statue of Vaikuntha, is the best preserved and the most evolved Vishnu temples. There are sculptures depicting many mythological stories such as the churning of the ocean and Kalia mardan. O n the exterior the entire range of the Khajuraho temples is on display. Ecstatic street singers and the architect of the temples, surrounded by his apprentices are among the noteworthy images on this temple. The Vishwanath temple was supposed to be embedded with jewels, but only a stone lingam is what remains now. The exteriors of this temple however are the most stunningly beautiful. Here one can see nymphs can be seen playing on their flutes, removing thorns from their feet, fondling children and looking into a mirror. Some of the most erotic depictions are seen as well. Another interesting temple is dedicated to the Sun God, the Chitragupta temple. It shows the Sun God driving the chariot drawn by seven horses. The exteriors show, royal processions, elephant-fights, hunting scenes, group dances and the lavish lifestyle of the Chandela kings and their court in its all pomp and glory.